In 1968, Mrs Margaret O'Brien and her husband, Nicholas, purchased what was then a derelict building, with the intent of turning it into an art centre. Several workmen lived on the site during renovation, and they soon grew used to eerie sounds and uncanny happenings. But, when a large feline appeared mysteriously before them and then suddenly vanished, the builders became decidedly uneasy and the legend of "The Black Cat of Killakee" was born. Mrs O'Brien thought the stories were nonsense to being with, but then she too saw the creature and, as she put it, "Began to understand the fear". The first time she crossed its path it was squatting on the flagstones of the hallway, just glaring at her. Every door in the house was locked both before and after its sudden appearance and subsequent disappearance. It was the painter Tom McAssey who had the most famous confrontation with the mysterious creature. In March 1968, he and two other men were working in a room of the house when the temperature began to drop alarmingly. Suddenly, the doors swung wide open and a hazy figure appeared in the darkness. Thinking it was someone playing a joke, he called out, "Come in, I can see you". All three men froze in terror when the reply was a low, angry growl. Moments later they fled the room, slamming the door behind them. But, when Tom McAssey looked back, the door was wide open again, and a hideous with blazing red eyes was snarling at him from the shadows of the room. "I thought my legs wouldn't take me away from the place", he later called, "I was really in a bad state". Following this chilling encounter Margaret O'Brien had the building exorcised, and things quietened down for a time. But in October 1969, a group of actors staying at the arts centre, decided to hold a seance, and the disturbances began again. Furthermore, they seemed to have raised the spirits of two nuns, who would appear before startled witnesses in the gallery of the centre. A local medium, Sheila St. Clair, visited the property and claimed that the phantoms were the unhappy spirits of two women who had assisted at satanic rituals held during the meetings of the "Hellfire Club" in the 18th century. The Irish branch of this notorious club held their sinister assemblies in the hunting lodge, the ruins of which can still be seen on Mont Pelier Hill behind the house. Local legend tells how Richard "Burnchapel" Whaley, a member of one of the areas richest families, had joined the club and had revelled in the debauched rituals. These are said to have included the burning alive of a on at least one occasion, the worshipping of cats in place of Satan himself, the setting on fire of an unfortunate woman stuffed inside a barrel, plus the beating and murder of a poor, deformed boy. At a meeting of the club in 1740, a servant is said to have spilled a on Whaley, who was so enraged by the accident that he had the servant doused in brandy and set ablaze. The subsequent fire burnt down the lodge, in the process killing several members of the club. In July 1970, a dwarfish skeleton was discovered, buried beneath the kitchen floor of the building. In the grave with it was the brass statuette of a monstrous demon, which gave credence to at least the legend of the deformed boy. A priest was called to give the body a proper burial, and thereafter the manifestations of the ceased. Today, a pleasant restaurant occupies the old house, and hellish felines seem to be very much a thing of the past. But reminders still exist of its more sinister bygone days. Chief amongst these is Tom McAssey's portrait of "The Black Cat of Killakee" that gazes hauntingly down from one of the walls, its eerie red eyes and almost human features enough to send icy cold shivers racing up and down the spine.


Love Angel!!!